Jenik, A. (2018), Speculative Performance Meets Immersive Learning: Lessons of Drylab2023, PARtake: The Journal of Performance as Research: Vol. 2 : Iss. 1 , Article 5.—(pdf version)

Janssen, M. A., A. Jenik, S. Z. Tekola, K. L. Davis, S. Flores, W. Gibbs, M. Koehn, V. Lyons, C. Mallory, S. Rood, S. Guelpa, and L.-A. Pfister (2018), Drylab 2023: living a possible future with resource scarcity. Ecology and Society 23(4):8. — ( pdf version)

Jenik, A. (2016), Border/Body/Technology, The Oxford Handbook of Critical Improvisational Studies, Volume II, eds. Lewis, George and Piekut, Ben, Oxford University Press

Jenik, A. (2014), “So Far and Yet So Close: Lessons from Telematic Improvisation” in CyPosium - The Book, Annie Abrahams, Helen Varley Jamieson (Eds), Link Editions, Co-published w/ La Panacée, Centre de Culture Contemporaine, Montpellier, pps. 81-88

Jenik, Adriene (2013), A book can change your life: reflections on the making of MAUVE DESERT: A CD-ROM Translation, Nicole Brossard: L’inedit de sens, eds. Janine Ricouart and Roseanna Dufault, Les Editions du remue-menage, pps. 273-292

Jenik, A. and Lewison, S. (2009) Moving In Place: The Question of Distributed Social Cinema, Third Person: Authoring and Exploring Vast Narratives, Pat Harrigan and Noah Wardrip-Fruin eds., The MIT Press, pp.179-191

Jenik, A. (2007) Santaman’s Harvest Yields Questions, or Does a Performance Happen If It Exists in a Virtual Forest?, Second Person: Role-Playing and Story in Games and Playable Media, Pat Harrigan and Noah Wardrip-Fruin, eds., The MIT Press, pp. 289-296

Jenik, A.(2001) Desktop Theater: Keyboard Catharsis and the Masking of Roundheads, featured cover article, The Drama Review, pp.95-112, 45:3, published by NYU and MIT, Fall